On Wall Street : Architectural Photographs of Lower Manhattan, 1980-2000 by David Anderson read online book DJV, TXT, FB2
9781938086007 English 1938086007 I am not sure there is any other pair of monosyllabic words in the English language that evokes as powerful a sense of place as Wall Street, except, of course, New York itself. So writes famed architectural critic Paul Goldberger in his introduction to one of the most important photographic books on New York City to appear since 9/11: David Anderson's On Wall Street. During the late 1970s and early 1980s, a lot of glass-and-steel, boxlike buildings were going up in New York City. David Anderson realized that the architecturally elaborate and stylistic buildings of the early 1900s through the 1930s that defined Wall Street would never be made again. He thus embarked on a twenty-year project (from 1980 to 2000) to document Wall Street's classic architecture before further changes in the area were made, including the demolition and destructive renovation of too of its many historic structures. Anderson's approach to photographing Wall Street is unique. He avoids people, vehicular traffic, and storefronts, and rarely does he present a view of an entire building. Instead, he focuses on the details or a certain profile in order to reveal a building's architectural form and energy and its larger sense of place within the city's urban fabric. Anderson's photographs of Wall Street will forever be part of a visual record of a by-gone era that emphasized artistic craftsmanship rarely achieved in modern buildings. Like the historic skyscrapers and civic buildings that Anderson depicts, his photographs are equally solid, self-assured, and beautiful. Collectively, they capture the spirit, architectural genius, and harmonious elevated scale of this special place in the financial capital of the world. REVIEWS The sturdiest structure in any small town is the bank or the building it used to inhabit. Those hunks of columned limestone still anchor downtowns across the country, often converted into grocery stores or shopping arcades. And even on Wall Street, luxury apartments have colonized high-rise wonders like R.H. Robertson's 1899 building at 15 Park Row (looming in the foreground above) once the tallest office building in the world. Drawn from David Anderson's 'On Wall Street: Architectural Photographs of Lower Manhattan, 1980-2000' (George F. Thompson, 123 pages, $50), this photograph from 1981 captures the upward and outward spiral of the financial industry over the centuries, from the steeple of St. Paul's (1796), to the Park Row building to the 1924 building (center) to the World Trade Center's south tower, stretching out of the frame a few blocks away. Shot in silvery black and white, the pictures emphasize the cool solidity of the often fortress-like subjects, as in the defensive turrets and machicolations of the Federal Reserve Bank. (It's only fitting: Wall Street got its name by marking the fortified edge of the young city.) But Mr. Anderson also has an eye for delicate details he picks out the swirling grain in the facade of the Stock Exchange and for whimsical decorations. On a high balcony at 67 Wall Street (now, too, converted into condos), a stone eagle surveys the street, secured by a chain that seems like a leash. These images free of cars, signs and people freeze the city in time. But everywhere you look are traces of bygone eras: the now-vanished Trade Center; a small 'First Class' sign on a former steamship terminal; and, carved in stone above a door on William Street, 'Lehman Brothers.' The EditorsThe Wall Street Journal, 2013/01/19""On Wall Street: Architectural Photographs of Lower Manhattan 1980-2000" by David Anderson, with Introduction by Paul Goldberger is a highly acclaimed black and white photography book which documents the historic and architecturally beautiful buildings on Wall Street district, which were designed and built by craftsmen of a bygone era of the Victorian Era. The images were made over a 20 year period, and the photographer ended his project with the bombing of the Twin Towers. The book is importan
9781938086007 English 1938086007 I am not sure there is any other pair of monosyllabic words in the English language that evokes as powerful a sense of place as Wall Street, except, of course, New York itself. So writes famed architectural critic Paul Goldberger in his introduction to one of the most important photographic books on New York City to appear since 9/11: David Anderson's On Wall Street. During the late 1970s and early 1980s, a lot of glass-and-steel, boxlike buildings were going up in New York City. David Anderson realized that the architecturally elaborate and stylistic buildings of the early 1900s through the 1930s that defined Wall Street would never be made again. He thus embarked on a twenty-year project (from 1980 to 2000) to document Wall Street's classic architecture before further changes in the area were made, including the demolition and destructive renovation of too of its many historic structures. Anderson's approach to photographing Wall Street is unique. He avoids people, vehicular traffic, and storefronts, and rarely does he present a view of an entire building. Instead, he focuses on the details or a certain profile in order to reveal a building's architectural form and energy and its larger sense of place within the city's urban fabric. Anderson's photographs of Wall Street will forever be part of a visual record of a by-gone era that emphasized artistic craftsmanship rarely achieved in modern buildings. Like the historic skyscrapers and civic buildings that Anderson depicts, his photographs are equally solid, self-assured, and beautiful. Collectively, they capture the spirit, architectural genius, and harmonious elevated scale of this special place in the financial capital of the world. REVIEWS The sturdiest structure in any small town is the bank or the building it used to inhabit. Those hunks of columned limestone still anchor downtowns across the country, often converted into grocery stores or shopping arcades. And even on Wall Street, luxury apartments have colonized high-rise wonders like R.H. Robertson's 1899 building at 15 Park Row (looming in the foreground above) once the tallest office building in the world. Drawn from David Anderson's 'On Wall Street: Architectural Photographs of Lower Manhattan, 1980-2000' (George F. Thompson, 123 pages, $50), this photograph from 1981 captures the upward and outward spiral of the financial industry over the centuries, from the steeple of St. Paul's (1796), to the Park Row building to the 1924 building (center) to the World Trade Center's south tower, stretching out of the frame a few blocks away. Shot in silvery black and white, the pictures emphasize the cool solidity of the often fortress-like subjects, as in the defensive turrets and machicolations of the Federal Reserve Bank. (It's only fitting: Wall Street got its name by marking the fortified edge of the young city.) But Mr. Anderson also has an eye for delicate details he picks out the swirling grain in the facade of the Stock Exchange and for whimsical decorations. On a high balcony at 67 Wall Street (now, too, converted into condos), a stone eagle surveys the street, secured by a chain that seems like a leash. These images free of cars, signs and people freeze the city in time. But everywhere you look are traces of bygone eras: the now-vanished Trade Center; a small 'First Class' sign on a former steamship terminal; and, carved in stone above a door on William Street, 'Lehman Brothers.' The EditorsThe Wall Street Journal, 2013/01/19""On Wall Street: Architectural Photographs of Lower Manhattan 1980-2000" by David Anderson, with Introduction by Paul Goldberger is a highly acclaimed black and white photography book which documents the historic and architecturally beautiful buildings on Wall Street district, which were designed and built by craftsmen of a bygone era of the Victorian Era. The images were made over a 20 year period, and the photographer ended his project with the bombing of the Twin Towers. The book is importan